Katerina Cizek is a two-time Emmy-winning documentarian working across emerging media platforms. She is currently leading a new initiative at MIT’s Open Documentary Lab called Co-Creation Studio. For a decade at the National Film Board of Canada, she helped redefine the organization as one of the world’s leading digital content hubs, with the Filmmaker-in-Residence and HIGHRISE projects. Both community-based and globally recognized, these two ground-breaking serial and digital projects garnered: a Peabody award, a World Press Photo Prize, 3 Canadian Screen Awards, an IDFA DocLab Award for Digital Storytelling, a Sheffield Doc/Fest Award, a Banff Rocky Award, a Canadian New Media amongst others. Cizek has forged unconventional, creative partnerships with such diverse organizations ranging from an inner-city teaching hospital to Mozilla Foundation, to The New York Times. Her projects are also interventionist, and co-creative: they have significantly contributed to conversations about health-care policy, urban planning as well as the health outcomes and living conditions of the participants themselves.
Cizek’s earlier human rights documentary film and journalism projects have instigated criminal investigations, changed UN policies, and have screened as evidence at an International Criminal Tribunal. Cizek’s films include the Hampton-Prize winner Seeing is Believing: Handicams, Human Rights and the News (2002, co-directed with Peter Wintonick), In Search of the African Queen: A People Smuggling Operation (1999, co-director), and The Dead are Alive: Eyewitness in Rwanda (1995 editor, co-writer, narrator).